Aeneas and Dido Essay
Samantha Lugo
Dido and Aeneas
May 14, 2019
Opera Essay
Written by
Henry Purcell, arose one of his major theatrical works, known as Dido and
Aeneas. This performance was his first fully-sung opera and based its
foundation on the Book IV of Virgil’s, Aeneid. It recounts a love affair filled
with lust, love, anger, disparity, and betrayal between the Queen of Carthage,
Dido, and the Trojan hero, Aeneas. The opera concludes with a scene of sorrow
as Dido is comforted by her sister, Belinda, due to rejecting Aeneas as he once
thought about leaving her. She sings her last words as “death must come when he
is gone,” displaying her feelings of despair without him as she walks to her own
death. Her court then proceeds to deliver her to her tomb, made of sticks, hay,
and leaves, while setting it on fire. In the very last moment, the performance shows
the pink petals that were wished to appear, by cupid, to represent her pure heart.
When
looking through a mise en scene perspective, it can be easily seen that immense
effort was put forth throughout the entire performance. It showed great lengths
of intricacy, some through the use of technology, within the lighting, sceneries, props and costumes, creating
the most multi-layered visual design to make this performance come to life.
Camera work is also another component included within a performance’s mise en
scene, and with this piece, directors chose to use a different approach than
the ordinary live opera; as being presented in the form of a movie, perhaps. It was one that was not displayed in front of the live
audience, which allowed the directors to move the storyline along more smoothly
and create scenery that fulfilled the emotions behind the story, while also giving the audience an entirely new experience from the everyday opera's. I think the audience reacted in an innovative and impressed way, as this presentation of an opera was out of the ordinary and something new to experience as an opera lover.
To begin, the
lighting presented throughout the piece seemed mostly to have characteristics
of low-key lighting, where there were some light and dark areas within the
frame. Most often, in the scenes composing of Dido’s castle, the outside night
time scene, and the Sorcerer’s lair, they all consist of low-key lighting. The
one difference between these sceneries would be the color palette of the
lighting presented. In Dido’s castle, the lighting consists of warmer tones of
orange, tan, yellow, and browns; presenting a sense of comfort. On the other
hand, the outside scene had more of a dramatic effect with brighter blue tones
to give the person viewing a more atmospheric feeling. In the Sorcerer’s lair,
the blue color tone continues, with little warm tones to take part. To
continue, where the scene presents Dido and Aeneas married lying down, the
lighting changes to high-key lighting where there are barely any shadows so
everything and everyone within the scene are well lit and boldly existent.
To
continue, the musical component, sceneries, and costumes also add a lot of
background to the storyline focusing on the overall feeling of the renaissance.
Starting off with strictly instrumental music, in happier scenes, the music is happy,
whereas towards the end when Dido is in distress, the music is saddened, mellow,
and slower. In the scene where Aeneas and his men run with the dogs, the music
is upbeat and fast, representing the pace of the hunt. The sceneries and
costumes also contribute to the overall message of this story by putting the
viewer in the time period in which this story portrays to take place. The female’s
costumes were long, fully covered dresses with abstract patterns from the
renaissance period. The women’s hair for the most part was down, while Dido had
pearls going throughout, exemplifying her royalty. As for the men, they had
brown knee-high boots, and long cloaks with fur pieces over their shoulders. In
some scenes, they wore shiny-gold armored chest pieces and helmets, with
sleeveless shirts, giving off masculinity. The sceneries also offered a lot of
intricate aspects. In the outside scene, they used fog to demonstrate a mystical
feeling, ire feeling. In the castle scenes, the walls contained pictures and long
curtains with brick patterned walls. Overall, the sense of a royal castle was
accurately depicted as an individual would imagine one to look like in this
time. The Sorcerer’s lair was creepy and dungeon-like which contributed to the
Sorcerer’s character. It was dark and rusty, where I imagined it to be cold if
I were there based on the sceneries aspects. The outside scene before the storm
arrives, gives a vibe of relaxation. The tub and leaves add to this relaxation,
and further add to the storm that later arrives by wind being present and the
props appearing disheveled to show how badly the storm had hit.
If I were
to conduct this film into a video game, I would base it on an adventure,
goal-seeking aspect. In this game, Dido’s location would be a mystery and the
players would have to work their way to find her, through being the character
of Aeneas. Aeneas would have to complete multiple levels, each consisting of tasks
within in order to move up to finding her location. Within each level, objects
can be found in order to find her more quickly, for instance, a dog would be
hidden and after finding and obtaining the dog, it could then use its senses to
lead Aeneas to her location more quickly. As the levels increase, the tasks
become harder to complete as Aeneas is getting closer therefore he needs to
prove his worthiness to Dido. Throughout the levels, the Sorcerer will arrive
throwing curveballs at Aeneas to keep him from reaching Dido, and Aeneas will need
to be careful as he could run into the Sorcerer at any moment. If the Sorcerer
and Aeneas cross paths, Aeneas will lose the game, and Dido will die. When the
Sorcerer becomes present nearby, dramatic music will play to alert the player.
The main goal is to reach Dido and live happily ever after before crossing
paths with the Sorcerer and preventing Dido’s death.
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